ZURICH FILM FESTIVAL

  Today we spoke to Thao Duong, Programmer of the 9th ZURICH FILM FESTIVAL  DEADLINE  • 30 June 2013   The latest and greatest news which I am only just allowed to speak about today is a new cooperation with San Sebastián International Film Festival. We have set up a new shoulder-to-shoulder alliance which will, most importantly, […]

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INTERFILM BERLIN

  Today we spoke to Alexander Stein, CEO/ Festival Producer of the 29th INTERFILM BERLIN – BERLIN INTERNATIONAL SHORT FILM FESTIVAL DEADLINE  • 21 June 2013      We always have a different focus every year and this year will be Australia and New Zealand in comparison. We will compare the two different types of filmmaking from […]

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CPH:DOX

  Today we spoke to Mads Mikkelsen, Programmer of the  11th COPENHAGEN INTERNATIONAL DOCUMENTARY FILM FESTIVAL / CPH:DOX  DEADLINE  • 31 May 2013      I think the new thing this year is that we have launched a non-competitive cross-media relationship which is an open platform developing the projects throughout the year to then be presented at the festival […]

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FANTASTIC FEST

  Today we spoke to Kristen Bell, Festival Director of the  9th FANTASTIC FEST DEADLINE  • 29 May 2013     This year we have reduced the number of people viewing the festival submissions and are really steering the focus on finding the best genre features and shorts out there. We also tightened our submission deadlines so that we would […]

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OTTAWA ANIMATION FESTIVAL

  Today we spoke to Chris Robinson, Artistic Director of the 37th OTTAWA INTERNATIONAL ANIMATION FESTIVAL DEADLINE  • 17 May 2013       Last year we received, which was a record, almost 2400 films. The strategy is this: I watch everything. Then I have a very small pile of films that are absolutely going in. Then there is a […]

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ACHTUNG BERLIN Opens For 2013: Filmmakers Vocalize Local

Achtung Berlin’s 2013 festival opening was our local to-do last night, screening Aron Lehmann’s wildly entertaining Kohlhaas oder die Verhältnismässigkeit der Mittel at Kino International. While ‘local’ is the frequented word here, my position is closer to the ongoing conversation between local versus international, intimate versus immensely-boast-able and which of the extremes filmmakers should ground themselves in […]

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